The artistic movement of magical realism is once again topical
Long eclipsed by the rise of abstract expressionism in the 1950s, the reputation of magical realism is on the rise again. Georgia Art Museum at the University of Georgia will present the exhibition “Extra ordinary: magic, mystery and imagination in American realism»From February 27 to June 13. The exhibition seeks to re-examine the definition of magical realism and to broaden the canon of artists who have worked in this category.
The term “magical realism” was popularized in 1943 during the “American Realists and Magic Realists” exhibition at the Museum of Modern Art, curated by curator Dorothy C. Miller with assistance from museum director Alfred H. Barr Jr and the arts impresario Lincoln Kirstein. . The Georgia Museum of Art exhibit will include works originally featured in the MoMA exhibit, including paintings by Ivan Albright, Paul Cadmus, Z. Vanessa Helder and Patsy Santo, as well as other artefacts from many artists presented.
Magical realism is often compared to surrealism, but while surrealism focuses on the life of the spirit, magical realism is grounded in the real world, showing fantastic elements as part of everyday life. The ambiance of magical realistic works of art is often eerie and eerie. The mystical components add to their mystery and invite viewers to take a closer look. Magic Realists took inspiration from the German movement known as New Objectivity, and they also adapted aspects of European surrealism into an American visual language.
“Magical realism was very ingrained in ordinary life and commented very directly on the everyday experience of people in the United States,” said Jeffrey Richmond-Moll, curator of American art at the museum, who organized the exhibit. “From wartime life and its consequences to key social issues like race and civil rights or workers’ rights, to pressing environmental issues of the time.”
“Extra Ordinary” takes on the challenge of defining magical realism and organizing a diverse group of artists into one style – a style that may not be familiar to American audiences and has often been overlooked. The exhibition also highlights, in the words of critic Clement Greenberg, “the extreme eclecticism that prevails today” in the American art world of the mid-1900s. In doing so, it sheds light on a larger constellation of artists – including women like Gertrude Abercrombie and Honoré Sharrer, artists of color like Eldzier Cortor and Hughie Lee-Smith, and other artists from more remote areas like Everett Spruce and Patrick Sullivan – who also turned to the mysterious, the supernatural and the hyperreal to examine the main social problems of the hour. These artists embraced magic or fantasy not as a way to escape everyday reality, but as a way to engage in it more directly.
While the exhibit does not travel, the museum publishes a hardcover catalog to accompany it, with essays by Richmond-Moll and researcher Philip Eliasoph, and catalog entries on each work in the exhibit by scholars such as Richmond-Moll, William U. Eiland (museum director), David A. Lewis (professor of art history at Stephen F. Austin State University), Maurita N. Poole (director and curator at Clark Atlanta University Art Museum) and Akela Reason (associate professor of history and director of museum studies at the University of Georgia).
Upcoming events related to the exhibition include:
- A Zoom conference by Philip Eliasoph on February 25 at 4 p.m. Eliasoph is an art historian, critic, curator, and professor of American art history in the Department of Visual and Performing Arts at Fairfield University. In this lecture, he will discuss Paul Cadmus’ 1947 painting “Aire de jeux”.
- A round table on Zoom with professors from UGA and Clark Atlanta University led by Richmond-Moll on March 18 at 1 p.m.
- An outdoor film screening of “Beasts of the Southern Wild” at the State Botanical Garden of Georgia on April 1 at 8:15 pm
- A Zoom Artful conversation on “Southern Landscape” by Eldzier Cortor, conducted by Emily Hogrefe-Ribeiro, Assistant Curator of Education, April 14 at 1 pm
- A Zoom Lecture by Angela Miller, professor of art history and archeology at Washington University in St. Louis, April 22 at 1 p.m.
- A Homeschool Day To-Go program on April 23
- A Zoom Artful conversation on “Coney Island” by Leonard Everett Fisher, directed by Callan Steinmann, Curator of Education, on May 5 at 1 pm
- A family day to take away, with free self-guided gallery activity sheets and art kits available for pickup May 13-16
- Teen Studio via Zoom, hosted by teacher artist Kristen Bach, May 20 from 5:30 p.m. to 7:30 p.m.
- And a toddler Tuesday to take away May 25, with a story hour and art activity for toddlers available on the museum’s Art at Home site.